After 18 years, Queensryche revisits the dark and angry milieu of their 1988 signature metal concept album. Nikki, the political assassin at the heart of the original Operation: Mindcrime, is now out of the slammer and back on the streets, and he's got some questions and a six-pack of Whupass for the man responsible for his downward spiral, not to mention a bone to pick over the death of the sympathetic prostitute, Sister Mary.
What made the original Mindcrime an instant '80s metal classic was its combination of musical drama with provocative, politically savvy lyrics and raw human emotion. Queensryche took a big risk in trying to recapture that combination, and for the most part, they nailed it. Operation: Mindcrime II is easily Queensryche's best and heaviest album since 1994's Promised Land, and while the songwriting is not as consistent as the
1988 effort, it is a worthy follow-up.
The band's sound is mostly faithful to the original record, and it still sounds fresh by today's standards. Rockenfield's snare drum doesn't have the distinctive, percussive crack of the original, and the rhythm guitars are slightly heavier in the low end. Otherwise, many of these tracks could easily be mistaken as tracks recorded in the 1988 sessions. Guitarists Michael Wilton and Mike Stone provide the requisite big riffs and staccato twin guitar leads that sear across the brooding and angry landscapes. As always for Queensryche, the use of space is key in their arrangements, and the group does just about the right amount of borrowing themes from the first Mindcrime to provide continuity without giving you the feeling that they're just recycling old material.
Geoff Tate still has a large vocal range and distinctive style, and he is in good voice as an older-and-wiser Nikki. Stepping into the role of Dr. X is no other than Ronnie James Dio, and the interplay between Dio and Tate in "The Chase" is one of the highlights of the album. Pamela Moore reprises her role as Sister Mary (wait, didn't she get killed off the last time around?) and adds an edgy and soulful counterpoint to Tate on several tracks.
If there are any weaknesses with Mindcrime II, it would be that the energy level drops toward the end of the album. Also, although the final song, "All the Promises," does a good job wrapping up the album lyrically, it is not as effective a closer musically as the anthemic "Eyes of a Stranger" from the first Mindcrime. Nevertheless, with OM II, Queenryche beat most expectations in delivering a satisfying return to the scene of the Mindcrime. -- Chris Allen
Operation: Mindcrime II
04/04/2006 | Rhino / Wea
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CD
$15.99OPERATION: MINDCRIME II
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LP
$24.99OPERATION: MINDCRIME II
Review
All Music Guide Review
Here it is, Queensrÿche have returned, 18 years later, to the scene of their greatest triumph commercially and critically, Operation: Mindcrime, with a sequel, appropriately monikered Operation: Mindcrime II. Queensrÿche still retains four of its five original members -- vocalist Geoff Tate, guitarist Michael Wilton, bassist Eddie Jackson, and drummer Scott Rockenfeld (guitarist Mike Stone joined as a permanent member in 2005). There are fine arguments on both sides of an issue like this -- messing with a bona fide rock classic by recording a sequel -- all of them are basically irrelevant once the project has been realized; but in this case, the debate will rage regardless. First there's the story: It picks up with junkie hitman Nikki, recently released from prison, haunted constantly by the death and memory of his lover, Mary, a former teenage prostitute turned nun, and this shadowy presence of Dr. X, Nikki's employer. The story of Operation: Mindcrime ended with "Who Killed Mary?" The story picks up with the identity of the killer revealed and Nikki's obsession with revenge on Operation: Mindcrime II. Cool eh? Maybe, maybe not; it depends on your point of view. In any case the most startling thing about II is its sound: pure 1980s heavy metal. The band went back to exploring the kinds of technology used on the first segment and basically revisited it, retuned the guitars to A., and let it rip. Shockingly, it doesn't sound cheesy at all. In fact, it's so balls-out crunchy and stacked -- especially the way those duplicate lead guitars sound on "The Hands" -- it sort of feels as if the records were recorded back to back; the intent and objective here has definitely been achieved. The argument is why you would want to create a second chapter of something and have it sound so much like the first. Okay, there's the music and the story. Tate and company are to be credited here; the story is seamless, though it's 20 years later. Tate looks at the current political and social landscape and can only say that "everything moves faster now/living at the speed of light," other than that, it's the same -- which is why a sequel was predicated in the first place. The band were still under the first Bush regime when the original was released. And despite eight years of Clinton, they find themselves under a Bush regime once more -- a regime perhaps more Draconian and certainly far more secretive than its predecessors. In any case, the historical reality reflects the aesthetic one for the purposes of Tate and company.
There are some new factors on II: Michael Kamen is not on-board as the string arranger this time out; Ashif Hakik is. This set's producer is Jason Slater (who also produced hit records for Smash Mouth and Good Charlotte) who also recorded and mixed II with Hakik, Christina Wolfe, and Mitch Doran on-board for help. There are guests vocalists here, of course, including Pamela Moore, Miranda Tate, and the voice of Dr. X: Ronnie James Dio! Despite the sheer ambition and focus on the music and the story, here; despite the slamming, tough-minded metal and sheer rock dynamics at work, added to the enjoyment of listening to this all the way through as an album by Queensrÿche, the question must be asked: Does it measure up to the original? Not quite. However, the reasons for this have little to do with inspiration or execution; they have more to do with budget.. II is a fitting sequel musically -- and story-wise -- to as classic a work of popular art as you're likely to find, and it does wrap up the story tidily -- though some fans were content with the end left in question as it was originally. As a band, Queensrÿche rock harder now than they have in years; they are absolutely on fire here. Operation: Mindcrime II is a great step back in order to move things forward. ~ Thom Jurek, All Music Guide
Track Listing
Similar Albums
Credits
- Sig Sigworth
- Project Assistant
- Geoff Tate
- Leader, Vocals, Story
- John Greenham
- Mastering
- Roger Gorman
- Design
- Steve Woolard
- Project Assistant
- Kenny Nemes
- Executive Producer
- Karen Ahmed
- Associate Producer
- Jason Slater
- Producer, Engineer, Mixing
- Ashif Hakik
- Assistant, Orchestral Arrangements
- Cory Frye
- Project Assistant
- Garrett Barati
- Image Design
- Rory Berger
- Image Design
- Christina Wolfe
- Assistant
- John Adam
- Project Assistant
- Mitch Doran
- Assistant
- Jason Elzy
- Project Assistant
- Nikki Fair
- Project Assistant
- Mike Phegley
- Project Assistant
- Dave Schjolden
- Technical Assistance
- Miranda Tate
- Vocals
- Pamela Moore
- Vocals
- Ronnie James Dio
- Vocals, Guest Appearance
Notes
Rock, Revenge, Redemption… the long-awaited sequel. Queensryche’s 1988 opus Operation: Mindcrime is a musically adventurous rock opera revolving around Dr. X, a political puppet master who brainwashes Nikki, the story’s main character, to assassinate corrupt public figures. The story also includes Nikki’s lover, Sister Mary. A former teenage prostitute who becomes a nun, Sister Mary is murdered mysteriously, leaving the cliffhanger, “Who Killed Sister Mary?” Set 20 years after the original, Queensryche’s new 2006 studio album, Operation: Mindcrime II, explores Nikki’s fate after being released from prison and reveals the identity of Mary’s killer.












