A true American maverick, Texas fiddler Bob Wills blended the big band freedom of jazz with the melodic sense of pop and country in the various incarnations of his Texas Playboys, and while he wasn't alone in working this hybrid genre that came to be known as Western swing, he came to personify it like no one before or since. The 15 tracks collected here were recorded in the late 1930s and early to mid-'40s, and most of them feature the lead vocals of Tommy Duncan, whose natural tenor meshed seamlessly with Wills' country hollers, and the two of them had a long and fruitful musical partnership between 1932 and 1948, and then again from 1959 to 1962. He may have worn a cowboy hat on-stage, but Duncan was in his heart a true pop crooner whose jazz-inflected phrasing brought an uptown veneer to the Playboys' repertoire, allowing the band to play to audiences across the board, from pop and country to jazz and swing, and once Wills figured out how to make a country string section stand in for a bank of horns, the Playboys hit their natural stride playing easy rolling uptown jazz music with a country heart. These sides originally appeared some years back as an LP from Longhorn Records and this is their first appearance in a domestic CD format. From a jazzy version of "31st Street Blues" to the marvelous and topical "G.I. Blues," these rare recordings are in the vintage Texas Playboys style, wonderfully punctuated by Wills' trademark "ah-hah" holler, which just might be the most joyous and soothing syllables ever committed to wax. ~ Steve Leggett, All Music Guide
Seven Miles out of Town
09/11/2007 | Varese Sarabande
All Music Guide Review
User Review
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posted on Fri, 14 Dec 2007 17:20:44Rare western swing from the late '30s and '40s
Recorded during Bob Wills' most productive years in the '30s and '40s, these tracks went unreleased until a vinyl issue on Longhorn records in 1981. Many of Wills' essential Playboys are here, including The Texas Drummer Boy, John Cuviello, and steel guitarist Noel Boggs. Tommy Duncan provides lead vocals on eight of the fifteen selections. Of particular interest is the war-era "G.I. Wish," the trad-jazz/dixieland "Darktown Strutters Ball," and the oft-recorded 1920's blues (turned into a Western Swing by Milton Brown in the mid-30s) "Corrine, Corrina." There are also five instrumentals that give the band's chops a chance to shine. Given the sheer volume of Wills' recordings that have found their way to CD, particularly the volumes of transcription recordings, nearly every one of these titles has already appeared in one form or another. Still, these are excellent performances that give a good sense of what Wills and his band could do. 3-1/2 stars, if allowed fractional ratings. [©2007 redtunictroll at hotmail dot com]
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Track Listing
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Credits
- Cary E. Mansfield
- Producer
- Tiny Mott
- Saxophone, Group Member
- Monte Mountjoy
- Drums, Group Member
- Bob Wills
- Fiddle, Vocals, Group Member
- Billy Jack Wills
- Bass, Drums, Group Member
- Luke Wills
- Bass, Group Member
- Les Anderson
- Guitar (Steel), Group Member
- Vic Davis
- Piano, Group Member
- Bill Pitzonka
- Art Direction, Design
- Larry Zwisohn
- Cover Photo
- Steve Massie
- Mastering
- Lewis E. "Louie" Tierney
- Fiddle, Group Member
- Noel Boggs
- Guitar (Steel), Group Member
- Ted Adams
- Bass, Group Member
- Lester Barnard, Jr.
- Guitar, Vocals, Group Member
- Alex Brashear
- Trumpet, Group Member
- Johnny Cuviello
- Drums, Group Member
- Tommy Duncan
- Vocals, Group Member
- Cameron Hill
- Guitar, Group Member
- Millard Kelso
- Banjo, Piano, Group Member
- Wayne Knight
- Photography
- Jimmy Wyble
- Guitar, Group Member


















