Few observers expected that Whitney Houston's first big-screen role in 1992's The Bodyguard would generate a phenomenon. Not that the film itself was a phenomenon -- it was a healthy success, due not only to Houston, but to her co-star Kevin Costner's drawing power -- but the soundtrack's success was astonishing. The Bodyguard followed Houston's cover of Dolly Parton's "I Will Always Love You" to the top of the charts, and once they got there, neither the single nor the album budged for weeks. "I Will Always Love You" spent a record-shattering 14 weeks in the top slot, while The Bodyguard spent 20 weeks at number one, eventually selling over 15 million copies and winning the Grammy award for Album of the Year. Like many phenomena of that magnitude, it's hard to see, in retrospect, what triggered such a massive public response. True, The Bodyguard isn't a typical soundtrack in that its first half plays like Houston's sequel to I'm Your Baby Tonight, but its second half is filled with the flotsam and jetsam typical for a big-budget soundtrack -- an excerpt from Alan Silverstri's score, some flavorless but pleasant Kenny G instrumentals, dated pop and dance numbers, and a cover (Curtis Stigers' take on "(What's So Funny 'Bout) Peace, Love and Understanding," which is notable in some circles as the recording that made the song's author, Nick Lowe, a millionaire). Then again, nobody really paid attention to anything outside of the first six songs, all of which rank among Houston's best efforts, demonstrating progress from the somewhat stilted I'm Your Baby Tonight. It's not startling enough to justify the phenomenon, but "I Have Nothing," "Queen of the Night," "Run to You," and especially her cover of "I'm Every Woman" are all first-rate urban pop songs that skillfully capture Houston at her best. In a sense, the album is no different than any other album Houston recorded. It may seem odd that a soundtrack is Houston's biggest-selling album to date, but consider this -- even her best records had five or six great songs surrounded by well-constructed filler; the same is true here, only the filler is recorded by other artists. ~ Stephen Thomas Erlewine, All Music Guide
All Music Guide Review
Track Listing
Credits
- C.J. Mackintosh
- Producer, Remixing, Drum Programming
- George Marino
- Mastering
- Claude V. McKnight III
- Vocals (Background)
- Narada Michael Walden
- Producer
- Charlie Midnight
- Producer
- Bruce Miller
- Engineer, Mixing
- Ricky Minor
- Director
- Andy Morris
- Producer, Mixing
- Barney Perkins
- Engineer
- Duran Ramos
- Producer, Vocal Producer
- L.A. Reid
- Producer
- Dave Reitzas
- Engineer, Mixing
- Marc Reyburn
- Engineer
- Matt Rohr
- Engineer
- John Rollo
- Engineer, Mixing
- Bob Rosa
- Mixing
- Dennis Sands
- Engineer
- Bill Schnee
- Engineer
- Steve Sheppard
- Engineer, Assistant Engineer
- Daryl Simmons
- Producer
- Lisa Stansfield
- Vocals, Performer
- Geoff Stradling
- Keyboards
- Kirk Whalum
- Saxophone
- Danny Wilensky
- Saxophone
- BeBe & CeCe Winans
- Arranger, Vocals (Background)
- Paul Wright
- Remixing
- Jim "Z" Zumpano
- Mixing
- Steve Burton
- Keyboards
- Manny Lacarrubba
- Engineer
- Peter Yianilos
- Engineer
- Walter Afanasieff
- Producer
- BeBe Winans
- Arranger, Vocal Arrangement, Producer, Vocals (Background)
- Randee Saint Nicholas
- Photography
- William Ross
- Arranger, String Arrangements, Orchestration
- Jazz Summers
- Executive Producer
- Moshe Brakha
- Photography
- Tim Parry
- Executive Producer
- Ken Nahoum
- Photography
- Mike McCarthy
- Engineer
- Matthew Rolston
- Photography
- Susan Mendola
- Design
- Roy Lott
- Producer, Associate Producer
- Chauncey Mahan
- Programming
- Zanna
- Photography
- Stephen Earabino
- Stylist
- Bill Easystone
- Assistant Engineer
- Dave Way
- Mixing
- Ellin La Var
- Hair Stylist
- Jim Walker
- Engineer
- Gary LeMel
- Music Executive, Executive in Charge of Music
- David Foster
- Arranger, Producer, String Arrangements
- Sass Jordan
- Performer, ?
- Curtis Stigers
- Vocals, Performer
- Ronn Huff
- String Arrangements
- S.O.U.L. S.Y.S.T.E.M.
- Vocals, Performer
- James T. Alfano
- Programming
- Chris Lord-Alge
- Mixing
- Kevin Becka
- Engineer, Assistant Engineer
- Louis Biancaniello
- Programming
- Bobby Boughton
- Engineer, Mixing
- Cedric Caldwell
- Arranger
- Victor Caldwell
- Engineer
- Gary Carlson
- Engineer
- Chaka Khan
- Arranger
- Milton Chan
- Engineer
- Dana Jon Chappelle
- Engineer
- Alvin Chea
- Vocals (Background)
- Robert Clivillés
- Arranger, Vocal Arrangement, Editing, Remixing, Mixing, Vocal Producer, Producer
- David Cole
- Arranger, Remixing, Mixing, Vocal Arrangement, Producer
- Paul Cox
- Photography
- Ricky Crespo
- Programming, Assistant Producer, Editing, Producer, Associate Producer
- Maureen Crowe
- Music Supervisor, Supervisor
- Clive Davis
- Executive Producer
- Marc DeSisto
- Engineer, Mixing
- Ian Devaney
- Producer, Mixing
- Jud J. Friedman
- Arranger
- Humberto Gatica
- Engineer
- Gary Grant
- Trumpet
- Mick Guzauski
- Mixing
- Paul Jackson, Jr.
- Guitar
- Richard Joseph
- Engineer
- Acar S. Key
- Engineer, Mixing
- Danny Kortchmar
- Producer
- Babyface
- Producer
- Joe Cocker
- Vocals, Performer
- Whitney Houston
- Arranger, Performer, Vocal Arrangement, Executive Producer, Producer, Vocals
- Aaron Neville
- Vocals, Performer
- Kenny G
- Arranger, Producer, ?, Performer
- Jeremy Lubbock
- String Arrangements











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